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Wild Apollo’s Arrows. An illustrated introduction I
I Classic / Anti-Classic Decades before the French Revolution, a culture of intoxicating affects burst into the heyday of the Enlightenment, increasingly boosted by national-mythical and folkloristic enthusiasm. The cultural philosopher Johann Gottfried Herder compared its impact to the epidemic projectiles that marked the beginning of Homer’s battle epic Iliad. Terms such as the ‘Age […]
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Wild Apollo’s Arrows. An illustrated introduction III
V Companionship of the Afterlife. Departure to the Past Exhibit Gallery The mesmerist influence on the Romantic generation was highlighted ideal-typically by several heads of a book of portraits that Julius Schnorr von Carolsfeld, a main proponent of the Brotherhood of St Luke, created between 1816 and 1824 in Rome. Their gazes to the afterlife […]
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Exhibition: Wild Apollo`s Arrows. Klopstock Cult & Ossian Fever / Die Pfeile des wilden Apollo. Klopstockkult & Ossianfieber
An exhibition of the Art Collections of the Academy of Fine Arts Vienna in co-operation with the Exhibit Gallery, curated by Alexander Roob 7.3.–25.5.2025 Paintings Gallery of the Academy of Fine Arts Vienna, Schillerplatz 3, 1st floor, 1010 Vienna Opening: 6.3.2025, 19–22 h Opening hours Daily except Monday: 10–18 h Song recital with lesson: Atelierhaus, […]
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John Thomas Smith and the Invention of Investigative Social Reportage III: The Cries of London
Abriged version. For footnotes please see the more detailed German version. 5) The Cries of London In Great Britain, the years after Waterloo were characterised by a deep economic depression. Big cities were flooded by jobless persons, war invalids and discharged soldiers. While visiting London in 1820, Théodore Gericault captured the descending social misery in […]
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John Thomas Smith and the Invention of Investigative Social Reportage II: Republican Palaces
Abriged version. For footnotes please see the more detailed German version. -3) Republican Palaces -4) Digression I: Blake’s Cottage 3) Republican Palaces Remarks on Rural Scenery is Smith’s shortest publication. It consists of a sequence of twenty etchings that were all made “after nature” and depict the most various kinds of rural housings for […]
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John Thomas Smith and the Invention of Investigative Social Reportage I: Real Views
Abriged version. For footnotes please see the more detailed German version. – 1) Introduction – 2) Real views 1) Introduction The beginnings of investigative social reportage are usually sought in the Victorian age, in the 1840s, the founding period of illustrated magazines dedicated to daily politics. But graphic social journalism had already been formulated decades […]
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TALKING PICTURE BLUES (including an interview with Andreas Siekmann)
An exhibition from the Melton Prior Institute for Reportage Drawing and Printing Culture in Düsseldorf, organized by Clemens Krümmel for Kunstsaele Berlin, Bülowstraße 90, D-10783 Berlin, November 1, 2013 – January 11, 2014 Included is an interview with Andreas Siekmann on his picture cycle “Die Exklusive. Zur Politik des ausgeschlossenen Vierten” (A film by Clemens […]
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The New Flesh (MePri-Exhibition)
The exhibition “The New Flesh” was compiled by Clemens Krümmel and took place from September 13 till October 18 in the exhibition space “after the butcher” (Spittastraße. 25, 10317 Berlin). It was planned long beforehand – based not only on an affinity to the work of one of the space’s organizers, Thomas Kilpper, an artist […]
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“… The World Was Becoming Numerical.” Informational Graphics and Art in Dierk Schmidt´s “Die Teilung der Erde”
Informational Graphics and Art in Dierk Schmidt’s “Die Teilung der Erde” The essay is part of the comprehensive project documentation “Dierk Schmidt: The Division of the Earth – Tableaux on the Legal Synopses of the Berlin Africa Conference.” Edited by Lotte Arndt, Clemens Krümmel, Dierk Schmidt, Hemma Schmutz, Diethelm Stoller, Ulf Wuggenig, Cologne 2010. Dierk […]
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Ikonolog: Tree (pencil on paper, digital collage, 2007/08)
The sequence of images from Matthias Reinhold’s “Ikonolog” (www.ikonolog.de) represents the rhizomatic structural idea of his drawing project, which aims for infinite permeability and ramification. Aperspectival, organismic spatial experiences and observations of vegetative growth are poetically combined here with analytical fields of technical construction and explosion graphics, i.e. with ways of drawing that expose functional […]