Tag: drawing

  • TAUCHFAHRTEN Exhibition Catalogue

    Exhibition Catalogue TAUCHFAHRTEN (DIVING TRIPS) Drawing as Reportage Edited by Stephan Berg, Kunstverein Hannover; Ulrike Groos, Kunsthalle Düsseldorf. With texts by Michael Glasmeier, Karin Gludovatz, Clemens Krümmel, Joachim Rees, Alexander Roob (ger./engl.). Softcover, 232 p., with 420 mostly colored illustrations. Richter Verlag, ISBN 3-937572-15-5 Bookstore, ISBN 3-937572-17-1 THE CATALOGUE IS NO LONGER AVAILABLE BUT CAN […]

  • Absolutely Drawpassing – Crossing the USA with binoculars, magnifier and a watergun

    extracts from a book by Tobias Greiner INTRODUCTION: Extracts from five chapters out of my Absolutely Drawpassing reportage book are presented as pdf files. Most of the works focus on drawings. Some photo images, real objects and installations are added that I have developed during my Drawpassing tours. The Drawpassing chapters presented here show 1. my Drawpassing practice/method 2. different places in the […]

  • Ikonolog: Tree (pencil on paper, digital collage, 2007/08)

    The sequence of images from Matthias Reinhold’s “Ikonolog” (www.ikonolog.de) represents the rhizomatic structural idea of his drawing project, which aims for infinite permeability and ramification. Aperspectival, organismic spatial experiences and observations of vegetative growth are poetically combined here with analytical fields of technical construction and explosion graphics, i.e. with ways of drawing that expose functional […]

  • „Conference Room, Peack House, Kaesong – Aug.15, ’51” by Herbert C. Hahn

    This drawing, highlight of a series of a total of eight by American war artist Herbert C. Hahn, is certainly a haunting graphic document of the armistice talks during the Korean War that started at Kaesong on July 10, 1951 and lasted until August 22, 1951. Initially, both sides – the North Korean and Chinese […]

  • Van Goghs Favorites III: Arthur Boyd Houghton – Our One-eyed Artist in America

    «Until now I never knew Boyd H[oughton] was so interesting (…) Very strange. (…) After you have seen my Boyd Houghtons from the first year of the Graphics you will understand more clearly what I wrote about the importance of this master’s work.» Vincent van Gogh to Anton van Rappard, February and April 1883 (Letters […]

  • The “Mitoyennetés aberrantes” project

    “Mitoyennetés aberrantes” should probably be translated as “Aberrant neighbourhood”. It was conceived in october 2007 by Olivier Spinewine (drawing, photographing and filming reportage), Lionel Devlieger (text) and Alexia de Visscher (graphism). Eventually the project took the form of an exhibition and the edition of a zigzagfolder (download the pdf here). The concept evolved around French […]

  • Drawn Novel by Franz Erhard Walther

    Until July 28, the Parisian Galerie Jocelyn Wolff presents drawing-based work by Franz Erhard Walther (*1939).  The new work “Sternenstaub – A Drawn Novel” (2007/08) consists of several hundred (photocopies of) pencil-on-paper drawings tacked to the wall, each of them detailing memorable occurrences and encounters from the artist’s life – in a style vaguely reminiscent […]

  • Review: Susan Turcot – bitumen, blood and the carbon climb [Drawings, sculptures and a animation film by Canadian artist Susan Turcot]

    In her recent works, Susan Turcot has adopted a variety of reportage techniques and has made a significant point of examining the time-based, processual and functional equation that “live” drawing and its medialized representations can set up for the viewer. She investigates large-scale ecological and economical processes such as deforestation and the exploitation of other […]

  • Some notes on the ACRE series of pencil drawing

    28 drawings made during a residency in Acre, Brazil as part of my invitation to the 27th Sao Paolo Bienal, ‘How to live together’. Drawing as reportage: I have tried to merge historical, environmental, anthropological research with my own experience of rituals, exchanges, and travel during my residency in Acre. This series does not capture […]

  • Laptop in Chinese

    Matthias Reinhold attended a six-month course dealing with traditional Chinese painting at the China Academy of Arts in Hangzhou, in southeast China. He presents a report for the MePri on the teachings conveyed at the art academy in the field of tension between classical landscape painting and the present-day reality of life, and on the […]