Tag: fantasy

  • Wild Apollo’s Arrows. An illustrated introduction I

    I Classic / Anti-Classic Decades before the French Revolution, a culture of intoxicating affects burst into the heyday of the Enlightenment, increasingly boosted by national-mythical and folkloristic enthusiasm. The cultural philosopher Johann Gottfried Herder compared its impact to the epidemic projectiles that marked the beginning of Homer’s battle epic Iliad. Terms such as the ‘Age […]

  • Wild Apollo’s Arrows. An illustrated introduction II

    III Blind Visionaries –True Homers Paintings Gallery The dismantling of noble Homer had already begun in the 1730s, in the cultural-anthropological milieu of the Scottish Enlightenment, which was characterised by approaches based on early cognitive science and evolutionary theory. The atavistic portrait bust, which on a self-portrait of the Edinburgh barber and graphical chronicler John […]

  • Wild Apollo’s Arrows. An illustrated introduction III

    V Companionship of the Afterlife. Departure to the Past Exhibit Gallery The mesmerist influence on the Romantic generation was highlighted ideal-typically by several heads of a book of portraits that Julius Schnorr von Carolsfeld, a main proponent of the Brotherhood of St Luke, created between 1816 and 1824 in Rome. Their gazes to the afterlife […]

  • Exhibition: Wild Apollo`s Arrows. Klopstock Cult & Ossian Fever / Die Pfeile des wilden Apollo. Klopstockkult & Ossianfieber

    An exhibition of the Art Collections of the Academy of Fine Arts Vienna in co-operation with the Exhibit Gallery, curated by Alexander Roob 7.3.–25.5.2025 Paintings Gallery of the Academy of Fine Arts Vienna, Schillerplatz 3, 1st floor, 1010 Vienna Opening: 6.3.2025, 19–22 h Opening hours Daily except Monday: 10–18 h Song recital with lesson: Atelierhaus, […]

  • The Illuminated Myth of Mzona by Richard of Kédange (1802-1879). Part IV

    Primal Catholicism / Marian Magic / Evadah / A throw of the dice Primal Catholicism As a graphic practitioner, Richard was a farmer and gardener through and through, one who furrowed lines with sigil-magical ploughs into which he spread evocative seeds, only to have them emerge in the end into a colourful talismanic sea of […]

  • The Illuminated Myth of Mzona by Richard of Kédange (1802-1879). Part II

    The Ichts / The Sator Arepo mechanism / Two Evas The Ichts When looking through these magic books, one is quickly confronted with the question of whether there was a system here that was comprehensible and decipherable, at least in parts, or whether it was an entirely idiosyncratic construct, a blooming nonsense, a crazy simulation […]

  • Henry James: Image & Text I

    Not translated: Das Feature zu Henry James´ gesammelten Essays zur Illustrationskunst, die 1893 unter dem Titel Picture and Text im Verlag Harper & Brothers in New York erschienen sind, gibt ausschnitthaft und in collagierter Form einige Passagen aus der kommentierten deutschen Erstübersetzung wieder, die jetzt im Piet Meyer Verlag erschienen ist. Das Vorwort stammt von […]

  • Back to the future or the creation of Science-Fiction out of the financial bubble. A Pictorial Gallery

    The following commented image show was inspired by the exhibition Technische Paradiese. Die Zukunft in der Karikatur des 19. Jahrhunderts of the museum LA8 in Baden-Baden. The pictorial departs from the selection of this exhibition and combines it with other materials, mostly from the archive of the Melton Prior Institute. Bernard Picart, Monument consacré à […]

  • The rehabilitation. Gustave Doré in Paris, Strasbourg and in Ottawa.

    The profession of illustration and the disrepute it got into are both a product of 19th century industrialized journalism. The business´ high altitude flight as well as it´s crash are manifest in the work of one single person, the Alsatian graphic artist, painter and sculptor Gustave Doré (1832-1883). Along with Gustave Courbet he was the […]