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The cartoonist and the president. Ali Ferzat and Bashar al-Asad.
In August 2011, Ali Ferzat, the well-known Syrian cartoonist, was molested in Damascus. Returning home from work in the middle of the night, he was dragged from his car, beaten up and dumped along the airport road outside of town. His attackers especially targeted his head, eyes and hands. On YouTube one could see photographs […]
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Rebellious Landscapes – William James Linton´s art of graphic Macchia.
Lintoniana VI What had laid the foundations for Linton’s reputation as a leading proponent of artistic xylography in the 19th century was the extraordinary intensity of his landscape depictions and the graphic freedom that he allowed himself to this end. The apex of his decade-long landscape work was marked in the mid 1860s by the […]
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Das Grauen, das aus Archiven kommt : “Kriegszeit” in Stuttgart (Ausstellungsbesprechnung)
Not translated: Offensichtlich wurde diese Kriegs – Ausstellung der Staatsgalerie Stuttgart um das reichhaltige Konvolut von exzellenten Grafiken und Originalzeichnungen von Käthe Kollwitz herum konzipiert, das sich in der hauseigenen Sammlung befindet. Mehr als ein Drittel der Ausstellungsfläche ist ihrem Werk gewidmet; darunter befinden sich auch die beiden grafischen Zyklen Ein Weberaufstand (1897) und Bauernkrieg […]
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Me too in Verdun # 1. On the Views and Drawings of the War Traveller Goethe.
I) The Campaign Against the New Insanity Was Goethe a war artist? The first section of the three-part historical essay, which sheds light on the drawing activities of the poet in connection with his political endeavours, focuses on his participation in the campaign of the monarchist First Coalition against revolutionary France in 1792. Only thirty […]
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Against Daumier. A Revision of Early French Caricature and Social Graphics
-abridged version- L’imagination au pouvoir – Imagination to power (Charles Fourier) One has settled down comfortably with Honoré Daumier. “There is hardly another artist who has become such an epitome of an entire art genre,” (1) Thomas Gaehtgens wrote in his text on the French illustrator published in 1979, and what he meant was the […]
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Social Credit & Direct Democracy – William James Linton: “The English Republic”. London / Brantwood, 1850-55
Lintoniana I “We are Utopians, theorists, dreamers, enthusiasts, fanatics, madmen, in a word, we are republicans.” W.J. Linton, 1850 In December 1850, almost two years after the revolutionary hopes of a democratic change had been buried Europe-wide under a mantle of resignation and depression, radical artisan William James Linton began to proclaim his forceful vision […]
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Van Goghs Favorites III: Arthur Boyd Houghton – Our One-eyed Artist in America
«Until now I never knew Boyd H[oughton] was so interesting (…) Very strange. (…) After you have seen my Boyd Houghtons from the first year of the Graphics you will understand more clearly what I wrote about the importance of this master’s work.» Vincent van Gogh to Anton van Rappard, February and April 1883 (Letters […]
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Heinrich Ehmsen: artistic witness of the Munich Revolutionary Days
I began my preoccupation with Heinrich Ehmsen at the end of the 1970s when I was studying at the Akademie der Bildenden Künste in Munich. In a study group concerned with exploring the image production during the Munich soviet republic, I took over the research on the topic of reportage drawing. It quickly became clear […]